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Kultura

Abaz Hado: Helidon Haliti's exhibition, a dialogue with himself and society as a synthesis of time

Abaz Hado: Helidon Haliti's exhibition, a dialogue with himself and society

The exhibitions of the painter Helidon Haliti are events in the artistic life. This is what art critic and researcher dr. Abaz Hado for the exhibition "Still a life", with the works of the famous painter Helidon Haliti. An exhibition, which travels through the sensory paths within the being of the artist, where thanks to painting he has managed to reveal not only his spiritual world, but also to reflect on the everyday that surrounds him. "Still a life" curated by Oltsen Gripshi continues its days at the National Historical Museum, where various visitors are present at the exhibition. An exhibition that has received a lot of attention and appreciation for the painter Helidon Haliti with his works are numerous. Painter and art critic dr. Abaz Hado says that this time in the exhibition with paintings "Still a life" without a different Helidon. Dr. Hado says that "Still a life" with the works of the painter was an exhibition that hit the public. "It was a completely new thing and I was expecting to have a stroke. Honestly when it happened I had this in this exhibition. I saw a different Helidon, as a concept which has nothing to do with what he has done so far. Of course, he has left a good positive mark on Albanian art, but also on the personality that he has already crystallized in a few years, which in addition to being a creator is also a contributor to the visual arts through the Watercolor Biennale, which he organizes. Helidon Haliti is known as an excellent organizer, while this exhibition shows that professionally he is very high ", says dr. Hado. Painter and critic dr. Abaz Hado claims that in the exhibition "Still a life", it seems that we are dealing with a painting that in addition to the concept also comes the brushes. According to dr. Hados, focusing mainly on the power that this profession has and then get into what the painter experienced in these 30 years, who has experienced different moments, and he has given it a certain importance. "So since he has divided this into 4 parts, his self-portraits, his state in dialogue with himself, in dialogue with the environment, in dialogue with everything that surrounds him, entering into the emotional states, the different mental states that he has experienced and we see clearly in the self-portrait ", he claims.

Various works in the exhibition

Focusing on the works that are in the personal exhibition of the painter Helidon Haliti, art critic dr. Abaz Hado says that in the works that are the portraits of colleagues, we see that side that is the real thread of the exhibition. According to dr. Hados, this means that he has built this on a dialogue, which is both friendly and "hostile" dialogue. "The wild debates he has between colleagues and friends, who are often like that, have given him a negative or positive impact when he has been," says dr. Hado. Meanwhile according to the art critic, we see another aspect, the portrait of the woman, the love and nostalgia that the artist has for her. "It was a difficult period and for his mother, who went through a tragedy not only the loss of her husband who came later, but she herself suffered physically from an illness, which Helidon experienced deeply and his soul, already shocked by a serious event, restores his love, restores the spotlight of his focus on this figure ", he affirms. According to dr. Abaz Hados we see this in many works of the artist, where different events bring him to balance, sometimes deviating from that dialogue and tense emotional state and sometimes moving to a state that has a kind of relaxation, and always with the idea that we are in life and this life has all the dramas. "Still a life" in the museum is shaped by four essential elements that have directly influenced the artist. But another element that conveys a strong message according to the painter and critic dr. Abaz Hado is the symbolism of the ear. "Everything comes to us through listening, and this is an aspect treated very artistically. An artistic non-commercial way, but of an artist who is preoccupied with taking this thing, and he has realized this with a duality of actions, where he has confronted the two most important political factors of the country, Berisha and Edi Rama, and in the ear from behind we see that it says "I voted". If we are going to see the whole compositional balance of this exhibition lies in these two big dilemmas, or in both directions, then the emotional gratification is also disturbed, but there are also moments that life has certainly taken for granted, just as there are the shock that Faslli Haliti has a kind of nostalgia for his father. There is a kind of pain, because a poet passed away from life, which he puts in his creations with a lot of pain and with a lot of artistic elegance ", continues dr. Hado. but of an artist who is preoccupied with taking this thing, and he has realized this with a duality of actions, where he has confronted the two most important political factors of the country, Berisha and Edi Rama, and to the ear from behind we see that it says "I voted". If we are going to see the whole compositional balance of this exhibition lies in these two big dilemmas, or in both directions, then the emotional gratification is also disturbed, but there are also moments that life has certainly taken them not for bad, just as there is and the shock that Faslli Haliti has a kind of nostalgia for his father. There is a kind of pain, because a poet passed away from life, which he puts in his creations with a lot of pain and with a lot of artistic elegance ", continues dr. Hado. but of an artist who is preoccupied with taking this thing, and he has realized this with a duality of actions, where he has confronted the two most important political factors of the country, Berisha and Edi Rama, and to the ear from behind we see that it says "I voted". If we are going to see all the compositional balance of this exhibition lies in these two big dilemmas, or in both directions, then the emotional gratification is also disturbed, but there are also moments that life has certainly taken them not for bad, just as there is and the shock that Faslli Haliti has a kind of nostalgia for his father. There is a kind of pain, because a poet passed away from life, which he puts in his creations with a lot of pain and with a lot of artistic elegance ", continues dr. Hado. where he confronted the two most important political factors of the country, Berisha and Edi Rama, and in the ear from behind we see that it says "I voted". If we are going to see the whole compositional balance of this exhibition lies in these two big dilemmas, or in both directions, then the emotional gratification is also disturbed, but there are also moments that life has certainly taken them not for bad, just as there is and the shock that Faslli Haliti has a kind of nostalgia for his father. There is a kind of pain, because a poet passed away from life, which he puts in his creations with a lot of pain and with a lot of artistic elegance ", continues dr. Hado. where he confronted the two most important political factors of the country, Berisha and Edi Rama, and in the ear from behind we see that it says "I voted". If we are going to see all the compositional balance of this exhibition lies in these two big dilemmas, or in both directions, then the emotional gratification is also disturbed, but there are also moments that life has certainly taken them not for bad, just as there is and the shock that Faslli Haliti has a kind of nostalgia for his father. There is a kind of pain, because a poet passed away from life, which he puts in his creations with a lot of pain and with a lot of artistic elegance ", continues dr. Hado. or in both directions, so the emotional gratification is also anxious, but there are also moments that life has certainly taken them not for bad, just as there is the shock that for the father Faslli Haliti has a kind of nostalgia. There is a kind of pain, because a poet passed away from life, which he puts in his creations with a lot of pain and with a lot of artistic elegance ", continues dr. Hado. or in both directions, so the emotional gratification is also anxious, but there are also moments that life has certainly taken them not for bad, just as there is the shock that for the father Faslli Haliti has a kind of nostalgia. There is a kind of pain, because a poet passed away from life, which he puts in his creations with a lot of pain and with a lot of artistic elegance ", continues dr. Hado.

 Simbolika dhe veprat

Kritiku i artit dr. Abaz Hado shprehet se piktori Helidon Haliti gjithmonë ka pasur simbolika. Vepra e piktorit, sipas tij ka sjellë simbolikë dhe ai e ka përdorur këtë, ku pjesë e atij vokacioni të simbolikës të jetës ai ka ditur ta rikthejë me nostalgjinë e duhur. “Siç është dhe shtëpia e tij e vjetër dikur, siç janë dhe momente të tjera që ka bërë në vazhdimësi të asaj, që mban mend. Ashtu si dhe sot kemi një simbolikë, e cila ka sindromën e sotme të një periudhe dramatike, e cila e ka vendosur atë në raportin shoqëror, raportin familjar, në raportin me vetveten dhe me publikun. Pra artisti futet në këtë rast në një rrethore që ngado që shkon ai patjetër do të mbajë qëndrimin e tij. Ky qëndrim shprehet më fort, duke evidentuar emocionalisht dhe duke nxjerrë atë çka ai e merr si një lloj ngacmimi dhe pastaj e fut këtë në laboratorin e vet, të cilin duke e përpunuar ai kërkon që kjo të vijë tek syri i publikut nëpërmjet pamjeve, të cilat nganjëherë na duken absurde, si përshembull ai vë një kapele apo diçka tjetër”, vijon kritiku dr. Hado. Aty janë personazhe të ndryshme, ka kolegë, ka njerëz imazhet e të cilëve të krijojnë dualitetin, ka simbolika dhe të gjitha këto sipas dr. Abaz Hados e bëjnë ekspozitën të jetë e tillë, që nga vepra në vepër të ngacmojë dhe të prekë emocionalisht dhe të tërheq. “Ne kemi të bëjmë këtu me një pikturë, e cila ka të bëjë me një sistem konceptual, i cili nuk është një vepër e dhënë dhe e zbuluar, por është vepër e cila kurohet nga pikëpamja artistike nëpërmjet simbolikave dhe nëpërmjet kodeve dhe zbulohet nëpërmjet tyre. Nuk janë thjesht portrete, por papritmas do të shohësh diçka që e ka futur në një kontekst, i cili ka një domethënie të caktuar, e cila pret të zbulohet prej secilit nga ne”, vijon mes të tjerave dr. Hado.

Rruga e artistit të vërtetë

Me aktivitetin e tij prej vitesh piktori Helidon Haliti ka tërhequr vëmendjen e publikut, kritikës dhe më gjerë. Veprat e tij kanë spikatur në aktivitete dhe bienale të ndryshme, që janë zhvilluar brenda dhe jashtë vendit. Për piktorin dhe kritikun e artit dr. Abaz Hado, sot Helidon Haliti është një krijues që preokupohet, që vepra e tij të lërë shenjë. “Më vjen mirë, që nga periudha kur ka ardhur nga emigracioni ai e ka lënë atë lloj arti, me të konceptuarit e cila shpeshherë është një art i cili është edhe i detyrueshëm për tu aplikuar në kushte të mbijetesës. Sot Helidon Haliti është krijues, i cili preokupohet shumë për artin në përgjithësi, preokupohet që vepra e tij të ketë një shenjë të vetën, një simbolikë të vetën, një kod të vetën. I lexueshëm për të dhe me shumë enigma për syrin e publikut. Dhe kontributet e tij në raportet që është aktualisht, them që ka vendosur një rëndësi të posaçme në tërësinë e vokacionit piktural në Shqipëri, të artit në Shqipëri dhe fakti që ekspozitat e tij bëjnë ngjarje siç bën dhe kjo ekspozitë “Still a life” tregon që ai është në një rrugë, e cila është një rrugë e një artisti të vërtetë”, shprehet dr. Abaz Hado. Ekspozita do të qëndrojë deri më datë 15 të këtij muaji, në Muzeun Historik Kombëtar.