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Migjen "sick" from doors that do not match!
Written by Besi Bekteshi 18 Qershor 2021
The last scenes of the doors of the Migjeni theater that were almost torn, that a television audition was taking place, caused anger in the public. The scenes stirred souls suffering from moral and cultural decline not only in the traditional and cultural city of the north. The doors of the legendary theater of great dramas and comedies were being opened, from a spectacle that certainly had nothing in common with what this theater has brought to the stage. Of course the audition was not on Migjen's stage, but I mean Migjen's doors that do not "match". For some time now, the Migjeni theater has been going through alleys and backyards to make an exhibition and on a cultural street in Shkodra or Gjuhadol almost did not endanger the life of one of the actors of the troupe, because of course there are places that are not maintained. But they can not open the doors of Migjen. Hahaha there is law. There comes a TV cultural model heavily accused and criticized, but just as severely clicked and networked that breaks through these doors. This was already excessive and it is certainly a shame for those institutions that opened the doors of the public institution, against the law, to a private institution, no matter how powerful it is in Albania. They broke the law and maybe they took ... This was an insult plus in Shkodra. Then there is the scene of many mostly young individuals, who may not have been interested in looking out of Migjen's doors, but who were teasing them that - they were not "matching" for such nonsense today. For more, The next day, the Migjeni theater or its directors were again inviting people to go and see the play "Koliqiania" in the backyards, again "matching the doors of the theater" and not matching them for the screams of private television profit. This was superfluous, rotten as a way and that shows the suffering of "Migjen" for a long time in democracy, that disease of Migjen (theater) that the doors do not match and certainly gets cold. Now some questions must be asked and of course the accusations against this serious illness of Migjen as a theater and cultural institution in Shkodra. I am talking about the famous theater, explaining from the beginning that it is not the folklore cultural heritage, neither television nor cultural vulgar, but the pure urban, civic heritage of Shkodra. Aristocratic, bourgeois and intellectual as heritage and continuation in time. Ethically, culturally and morally pure. Why the theater squares and courtyards and inside the vulgar? First, I have nothing to do with Koliqi - the side they are giving and why there is some controversy over Koliqi "pro-fascism". Do you know why? Because in our art, there is a lot of pro-communism and within that theater after 1957 when it was built. It does not impress me so much, but ... The question is this: Why does not it stick, why does it not make fame, why is there no distribution and form and content that is affected by society? Isn't that just it? The Migjeni Theater is sick and old. He has lost the battle with drama, directing and comedy, with that part of time considered communism and a few years post-communism. Why? What is it? Why don't directors come out, why aren't dramas born, why aren't comedies born and why aren't pops ... born? In fact she is dead. Of course there is dedication or even work (as much as there is) but why not the former weight and tall and great people of the past. Why did dictatorship make its own and democracy ... no? Why is there no payment and why is there no funding, or why is there no talent ?! Apo ka? If Shkodra and Albania had them, they would know. There were only those produced by dictatorship. Now they are leaving or getting old and those who come can neither get their fame nor their importance, because I am afraid that the doors that "do not match" make them sick. Why are there such dark parts in ideas and going back in time not at all "for everyone" (there are individuals, moralists who say it is the ignorant people and do not understand) who deal with memories, persecutions and not with today's problems, society and touch it. With today’s social and moral persecution that is happening daily. Why imitate the past when political and class ideology was made and today it becomes post-class ideological politics and sometimes divided religiously and with separate neighborhood yards, forbidding the drama of the geographically grown city and today as a post-dictatorship society? Why "Migjeni" with chirps of "modern and post-modern" dramas, even foreigners who hold the hall with invitations or with 50 people? Why has the entire production of Shkodra lost, screenwriter, librettos, director, actor and theme, exactly Shkodra, without division of neighborhoods, religion and politics? Why has the hall turned into "courtyard of Migjen" in the competition with the yards and is called pride? Yards are important, but I do not believe that they promote the art and culture that has as a task and priority a cultural institution like Migjeni. Why do the doors not fit in for jargon and the usual repetition of themes of suffering under the regime once as then (before the '90s) of successes under the regime away from the problems it has today - the democratic regime we live in? When they tried, they succeeded, but the doors for this, "matched" and started petty interests of small individuals, which are already an obstacle for the doors of Migjen sick from the model "match", but also that "s' match ”. Yes, they "match" with the civic glory in art, with the creative heritage in the interaction of the citizens of Shkodra in multireligion and full of neighborhoods of the big city. Migjen's doors do not match the vulgarity and the bad smell enters. But as a concept and not as a door, the sick Migjeni no longer matches her time and demands. This requires a major institutional upheaval to turn democracy and freedom into a great cultural and artistic edifice in Shkodra. If the Municipality of Shkodra will continue to use it again politically and sectorally, without respect and without payment of funds (often times used in vain and often without criteria), but also with cynical models that fall into the grotesque, the direction of the Migjeni Theater is it is best to hand over Vllaznia to the private sector (I would never want that) so that the purpose can be clearly understood. Because "match (close) the doors of the theater for art and do not match (tear) for the vulgar and the immoral". Migjen is not only getting sick, but he is heading towards the end. So the problem is no longer Migjeni who is already ill, but that his illness is from the Municipality of Shkodra, unfortunately the sickest of municipalities since the first creation of the modern municipality in 1913. The most ugly as a model, as a direction and moreover as an urban concept, a citizen of Shkodra. The most grotesque and administrative mediocrity and the most arrogant as the lazy in the service of the citizen of Shkodra. And this is the big problem for Migjen (theater)'s disease, the doors of which certainly "do not match" to stop the stupidity that enters and match for the sick legacy.